2023 Scotiabank Giller Prize shortlist of Canadian fiction authors announced

A young woman moves from the place of her birth to the remote northern country of her forebears to be housekeeper to her brother, whose wife has recently left him. 

Soon after her arrival, a series of inexplicable events occurs - collective bovine hysteria; the demise of a ewe and her nearly born lamb; a local dog's phantom pregnancy; a potato blight. She notices that the local suspicion about incomers in general seems to be directed with some intensity at her and she senses a mounting threat that lies 'just beyond the garden gate.' And as she feels the hostility growing, pressing at the edges of her brother's property, she fears that, should the rumblings in the town gather themselves into a more defined shape, who knows what might happen, what one might be capable of doing.

With a sharp, lyrical voice, Sarah Bernstein powerfully explores questions of complicity and power, displacement and inheritance. Study for Obedience is a finely tuned, unsettling novel that confirms Bernstein as one of the most exciting voices of her generation.

Birnam Wood is on the move . . . A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster has created an opportunity for Birnam Wood, an unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice.

For years, the group has struggled to break even. Then Mira, Birnam Wood’s founder,  stumbles on an answer: occupying the farm at Thorndike would mean a shot at solvency at last. But Mira is not the only one interested in Thorndike. The enigmatic American billionaire Robert Lemoine has snatched it up to build his end-times bunker, or so he tells Mira when he catches her on the property. Intrigued by Mira and Birnam Wood, he makes them an offer that would set them up for the long term. But can they trust him? And, as their ideals and ideologies are tested, can they trust one another?

Birnam Wood is Shakespearean in its drama, Austenian in its wit, and, like both influences, fascinated by what makes us who we are. A brilliantly constructed consideration of intentions, actions, and consequences, it is a mesmerizing, unflinching consideration of the human impulse to ensure our own survival.

A fresh, unique work of metafiction that follows a graphic novelist who loses control of his own narrative when he attempts to write the story of his fraught upbringing in 1980s Chinatown.

In a Chinatown housing project lives twelve-year-old Benny, his ailing grandmother, and his strange neighbor Constantine, a man who believes he’s a reincarnated medieval samurai. When his grandmother is hospitalized, Benny manages to survive on his own until a social worker comes snooping. With no other family, he is reluctantly taken in by Constantine and soon, an unlikely bond forms between the two.

At least, that’s what Yu, the narrator of the story, wants to write.

The creator of a bestselling comic book, Yu is struggling with continuing the poignant tale of Benny and can’t help but interject from the present day, slowly revealing a darker backstory. Can Yu confront the demons he’s spent his adult life avoiding or risk his own life...and Benny’s?

“Instructive as it is inspiring, The Double Life of Benson Yu is a phenomenal example of a writer taking real risks in order to reveal and reckon with deep-rooted, tormenting truths as a means of moving forward. Kevin Chong has crafted a novel that will get your heart pumping, mind jumping, and, best of all, fingers turning” (Mateo Askaripour, New York Times bestselling author).

Powerful stories that explore the legacy of colonialism, and issues of race, immigration, sexual discrimination, and class in the lives of Jamaican women across London, Panama, France, Jamaica, Florida and more.

The Islands follows the lives of Jamaican women—immigrants or the descendants of immigrants—who have relocated all over the world to escape the ghosts of colonialism on what they call the Island. Set in the United States, Jamaica, and Europe, these international stories examine the lives of an uncertain and unsettled cast of characters. In one story, a woman and her husband impulsively leave San Francisco and move to Florida with wild dreams of American reinvention only to unearth the cracks in their marriage. In another, the only Jamaican mother—who is also a touring comedienne—at a prep school feels pressure to volunteer in the school’s International Day. Meanwhile, in a third story, a travel writer finally connects with the mother who once abandoned her.

Set in locations and times ranging from 1950s London to 1960s Panama to modern-day New Jersey, Dionne Irving reveals the intricacies of immigration and assimilation in this debut, establishing a new and unforgettable voice in Caribbean-American literature. Restless, displaced, and disconnected, these characters try to ground themselves—to grow where they find themselves planted—in a world in which the tension between what’s said and unsaid can bend the soul.

Henry, born 1916, thin-as-sticks, nearsighted, is an obsessive doodler—copying illustrations from his Boy’s Own magazines. Left in the care of a nurturing, Shakespeare-quoting grandmother, eight-year-old Henry receives as a gift his first set of colouring pencils (and a pocket knife for the sharpening). As he commits these colours to memory—cadmium yellow; burnt ochre; deep scarlet red—a passion for art, colour, and the stories of the great artists takes hold, and becomes Henry’s unique way of seeing the world. It is a passion that will both haunt and sustain him on his journey through the century: from boyhood dreams on a summer beach to the hothouse of art academia and a love cut short by tragedy; from the psychological wounds of war to the redemption of unexpected love.

Projected against a backdrop of iconic masterpieces—from the rich hues of the European masters to the technicolour magic of Hollywood—All the Colour in the World is Henry’s story: part miscellany, part memory palace, exquisitely precise with the emotional sweep of a great modern romance.